These posters are supposed to be humorous, but I’m afraid they are more true than most of us would like to admit.
~ Tom
"Birth of the Cool" is an album that collects the twelve sides recorded by the Miles Davis nonet (featuring Gerry Mulligan, Lee Konitz and others) for Capitol Records in 1949 and 1950. The music is considered seminal. This blog is dedicated to that spirit -- keeping things "cool" by blog birthing. If you've got somethin' cool to share, blow on.
These posters are supposed to be humorous, but I’m afraid they are more true than most of us would like to admit.
~ Tom
These photos really moved me for some reason. They were all taken shortly before I was born in 1944. I can’t stop looking at them.
I have been trying to avoid just posting links to articles that, while interesting to me, probably don’t ring the bells of many others. However, the Insight section of yesterday’s SF Chronicle contained this terrific piece by a guy previously unknown to me: Paul Saffo. After reading it over a couple of times I found myself nodding in agreement, and in the end hoping that a lot of the possibilities he outlines will come true.
The article is short, so you can read it without sacrificing a lot of time. Here is an excerpt early on that set the tone for me:
Comparisons of this movement-in-the making and the '60s are as tempting as they are obvious. Now as then, it is well-educated, restless youth who are in the protest vanguard for the simple reason that the actual downtrodden are too busy trying to survive to devote time to a cause. However, the '60s student activists marched against a backdrop of prosperity and low unemployment. The Establishment had jobs waiting for the anti-Establishment protesters whenever they decided to hang up their love beads. Today's new grads are faced with diminishing salaries and jobs in areas that do not employ the skills learned at university. Occupy's activists aren't just marching to save others - they are marching on behalf of their own futures.
The current economic climate contrasts sharply with that of the '60s, when an affluent and complacent middle class acted as social ballast against radical change. The middle class today is smaller and buffeted by underwater mortgages, unemployment and disappearing 401(k)s. This is an insecure population likely to agree with the sentiments of the demonstrators and, as the Tea Party has already shown, likely to protest as well.
I am hoping I can make it to eighty-five. Here is something that inspires me to do so.
I saw Tony at the Monterey Jazz Festival in 2005, and he just captivated the entire crowd. He was so delighted at the reception he got that he danced around like a little kid when he got the “standing O” at the end.
We were up at the Tahoe-Donner place this weekend getting it ready for winter. On the way home today we decided to play the Beatles album “1,” which contains 27 of their top selling singles.
As I was listening to hit after hit rolling out of the speakers I was struck with what marvelous song-writers Lennon/McCartney were. Almost all of the tracks are less then three minutes long, but what I realized is that each of them did not need to be a second longer. And, I noted that each of these little gems was distinctly different than all of the others. To be able to consistently write such wonderful songs without being totally repetitive or derivative was an amazing feat. (And of course they wrote many more, which can be found on their albums. For example ‘Norwegian Wood” is not on this CD.)
Of course the other result of playing the album was a huge, continuing jolt of flashbacks and contact highs, tinged with a bit of regret over the loss of what once was.
If you really don’t have a lot of Beatles albums and want to have just one CD that has “all the hits,” you should snag this CD. Even if you have a lot of Beatles stuff, this CD is worth buying and throwing in your car for the long and winding road.
~ Tom
Because the plot is full of twists, shocks, and surprises I will only say that the film worked for me on every level. I thought it was well directed, giving off a real “Los Angeles vibe” that was essential. I like McConaughey, but feel like he has been miscast in a lot of his movies. Here, he is absolutely perfect to the point of me thinking at the end, “no one else could have played that part as well as he did.” The script is snappy and smart, but serious and weighty when it needs to be.
In short, I really had a good time with the film, and I’ll bet you will too. So, next weekend, rent the DVD (Blu-ray if you’ve got a player), pop up a batch of popcorn, grab a Coke, plop down on your couch, and have a fun evening. I think you will be pleasantly surprised.
~ Tom
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